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Wednesday, July 24, 2019

Download Ebook The Word Lover's Dictionary: Unusual, Obscure, and Preposterous WordsBy Josefa Heifetz

Download Ebook The Word Lover's Dictionary: Unusual, Obscure, and Preposterous WordsBy Josefa Heifetz

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The Word Lover's Dictionary: Unusual, Obscure, and Preposterous WordsBy Josefa Heifetz

The Word Lover's Dictionary: Unusual, Obscure, and Preposterous WordsBy Josefa Heifetz


The Word Lover's Dictionary: Unusual, Obscure, and Preposterous WordsBy Josefa Heifetz


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The Word Lover's Dictionary: Unusual, Obscure, and Preposterous WordsBy Josefa Heifetz

The Word Lover's Dictionary contains thousands of the weirdest words in the English language, with the definition of each one written clearly and directly. And, incredible as it may seem, every entry in this book has been accepted as a formal or legitimate English word.
achluophobia (n.) - fear of darkness
cockabaloo (n.) - a bullying boss
propale (v.t.) - to disclose

The Word Lover's Dictionary is a most helpful reference for students, writers, or anyone unable to locate just the right expressive word in a standard dictionary.

  • Sales Rank: #571031 in Books
  • Brand: Brand: Citadel
  • Published on: 2000-10-01
  • Released on: 2000-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.96" h x .81" w x 6.06" l, .85 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Used Book in Good Condition

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Sunday, June 23, 2019

Download The Great Wall: China Against the World, 1000 BC - AD 2000By Julia Lovell

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The Great Wall: China Against the World, 1000 BC - AD 2000By Julia Lovell

The Great Wall: China Against the World, 1000 BC - AD 2000By Julia Lovell


The Great Wall: China Against the World, 1000 BC - AD 2000By Julia Lovell


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The Great Wall: China Against the World, 1000 BC - AD 2000By Julia Lovell

Legendarily 2,200 years old and 4,300 miles long, the Great Wall of China seems to make an overwhelmingly confident physical statement about the country it spans: about China’s age-old sense of itself being an advanced civilization anxious to draw a clear line between itself and the “barbarians” at its borders. But behind the wall’s intimidating exterior—and the myths that have built up around it—is a complex history that has both defined and undermined China. Author Julia Lovell has written a new and important history of the Great Wall that guides the reader through the conquests and cataclysms of the Chinese empire, from the second millennium BC to the present day.
In recent years, the Wall has become an ever more potent symbol of Chinese nationalism, of a determination to resist foreign domination. But how successful was the Wall in reality, and what was its real purpose? Was it a precursor, albeit on a huge scale, of the Berlin Wall—a barrier designed to keep its population in as much as undesirables out? Lovell looks behind the modern mythology of the Great Wall, uncovering a three-thousand-year history far more fragmented and less illustrious than its crowds of visitors imagine today. The story of the Wall winds through that of the Chinese state and the frontier policy that defined it, through the lives of the millions of individuals who supported, criticized, built, and attacked it.

  • Sales Rank: #834687 in Books
  • Published on: 2007-02-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.12" w x 5.95" l, 1.35 pounds
  • Binding: Paperback
  • 432 pages

From Publishers Weekly
There is no Great Wall of China, argues Lovell, who teaches Chinese history at Cambridge University. Instead, there are many Great Walls—physical, mental, cultural, military and economic—separating China from the outside world. The 4,300-mile-long wall is far more complex than any of the thousands of tourists taking a photo along its famous battlements realizes. Indeed, to the Chinese themselves, their wall has variously signified repression, freedom, security, vulnerability, cultural superiority, economic backwardness, imperial greatness and national humiliation. Still, myths about it abound. Far from it being unbreachable, Chinese emperors relied on the wall only as a last resort to fend off their enemies. (The Ming dynasty, for instance, found it useless against the victorious Manchus, who merely bribed the gatekeepers to let them in.) "As a strategy that has survived for more than two millennia," Lovell writes, "China's frontier wall is a monumental metaphor for reading China and its history, for defining a culture and a worldview...." Lovell tells the gripping, colorful story of the wall up to the present day, including a perceptive discussion of the "Great Firewall"—the Internet, which has replaced nomadic raiders as the most threatening of China's attackers. And no, you cannot see it from the Moon. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Young British historian Lovell narrates the history of China's preeminent national symbol, its Great Wall. Dubious about its defensive efficacy, she points out the fortification's repeated failure to save the dynasty that built it. Apart from its physicality, Lovell is also intrigued by the wall as a metaphor for historical Chinese attitudes toward the exterior world. And driving her wonderful chronicle of the wall is her will to dispel visitors' impressions, shared alike by Richard Nixon and backpacking tourists, that the Great Wall is a continuous construction of great antiquity. Informing readers that though the earliest long walls do date to the Qin dynasty (about 220 BCE), the crenellated, watchtower-crowned marvel of today was built by Ming emperors in the 1600s. Along the way, Lovell instills an appreciation for how the Chinese self-conception of civilized superiority vis-a-vis raiding barbarians of the steppe induced periods of wall-building. Amounting to an overview of imperial and postimperial Chinese history, Lovell's account of the Great Wall is a supremely inviting entree to the country. Gilbert Taylor
Copyright © American Library Association. All rights reserved

About the Author
Julia Lovell is an author, translator, and academic. She is the author of the widely acclaimed The Great Wall: China Against the World 1000 BC AD 2000, which was published in eighteen countries. She has translated many key Chinese works into English, including Lust, Caution by Eileen Chang, The Complete Fiction of Lu Xun, and Serve the People by Yan Lianke. She is a lecturer in modern Chinese history and literature at the University of London and writes for the Guardian, The Times, the Economist, and the Times Literary Supplement. She spends a large part of the year in China with her family.

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Friday, June 21, 2019

Free PDF The Fifth Elephant

Free PDF The Fifth Elephant

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The Fifth Elephant

The Fifth Elephant


The Fifth Elephant


Free PDF The Fifth Elephant

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The Fifth Elephant

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 10 hours and 47 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: ISIS Audio Books

Audible.com Release Date: August 1, 2003

Language: English, English

ASIN: B0000BZ2TZ

Amazon Best Sellers Rank:

The Fifth Elephant is one of my favorite Discworld novels but, fair warning, this is an abridged version. It is well done - nothing essential is left out of course - but much of Pratchett's funny meanderings are not included. I would not use this or other similar recordings as a first time experience of Discworld. Tony Robinson (Baldrick from the Black Adder BBC series) does wonderful voices. Unfortunately, it seems like these recordings were never normalized so you have to turn up the volume for his quiet voices and then get blasted by his louder or more projected voices. This aspect is a technical one, not Pratchett's or Robinson's fault but it is why I give this less than the Five Stars.

Down boy - good dog! Well, it turns out Angua has several siblings and one of them has been a very bad dog indeed!Vimes is instructed, in no uncertain terms that he has to go to Uberwald as the official diplomat from Ankh-Morpork. He is happy to be a copper, but when Lady Sybil packs his Duke costume he knows all hope is lost. But he leaves the city in the capable hands of Carrot and ventures out into unknown territory. Carrot soon follows leaving Colon in charge of the Watch.Terry Pratchett has created a masterpiece with this cleverly written novel. Each character has been finely tuned, and display all their special talents in this book. Nuanced humour, and a great plot move the reader along quickly. This is one of those books where I was sorry to reach the end. It left me wanting more. From Colon's paranoia at the watch house, to Carrot's carefully worded statements to Vimes regarding Angua and Gavin, to Lady Sybil's frustration at not being able to talk to her husband, Pratchett does not put a foot wrong.When I grow up I want to write like Terry Pratchett!

In this book you get to know about the Legend og the Fifth Elephant. Mostly it seems to be a legend originating from the lands closer to the Ramtops, named Uberwald. The home region of Angua the Werewolf, Cheery the female Dwarf, and Detrius the Troll.A new Lower King ( Head king of the Dwarves ) is about to be elected in Uberwald, and as such Ankh-Morpork needs to be present as it's a major diplomatic occurance. Ankh-Morpork sends some of it's finest people to handle the situation, and meanwhile the Watch goes into a deep sleep back in Ankh-Morpork under the leadership of Srgt. Colon.We get an insight into the world of Dwarves, Werewolves and even a bit on the Vampire side of the Discworld. Filled again with politics and Deciet just like Jingo, but this time our crew is more alone than they were in Klatch. Vimes nearly escapes with his life after beeing chased by a werewolf\naked man and all for the greatest treasure Uberwald has to offer! The remains of the Fifth Elephant.

Loyal readers are no doubt familiar with the Uberwald region if Discworld. There, vampires and werewolves rule the night (and day) and dwarves mine elephant lard from deep underground. And an occasional witch, or two, or three. But for the average resident of Ankh-Morpork the Uberwald is a place of mystery and confusion, full of things that would just as soon eat you (or drink you, or chop you in half) as look at you. When a diplomatic mission became necessary, Lord Vetinari quickly decides that it's best to send someone who likely to survive. Thus it is that Commander Vimes, master of the city's police force and Duke of Ankh-Morpork, finds himself bound for Bonk (pronounced beyonk) to attend the coronation of the Low King.Vimes quickly finds himself the target of everyone's plot to beat everyone else. Werewolves plot to cause war among the dwarves and vampires switch from side to side as the mood strikes them. There's a spy under every gravestone, a lot of irritated critters wandering the woods, and the Scone of Stone can't make up its mind whether it is counterfeit, real, or accidentally thrown out with the bath water. Fortunately, Vimes has his indomitable wife, a couple of Ankh-Morpork's finest (Angua the werewolf and Detritus the troll) to help him out. Vines isn't the kind of diplomat who is inclined to dissemble and the citizens of fair Bonk are in for more than a few surprises.Meanwhile, back in Ankh-Morpork, Sergeant Colon, who has all the wit and insight of a lamp post, has inadvertently been made captain in the absence of anyone else who has any sense. Convinced of a plot to steal sugar cubes from his tea supplies he manages to bully or offend almost all of his inferiors. In short order, there are more active policemen in the Uberwald than there are in Ankh-Morpork. Only luck keeps the city from becoming even worse than it normally is.Pratchett's 'upper' themes are about the abuse of political power and the essential dishonesty of diplomacy. Unfortunately, there's only so much humor to be wrung out of now Captain Colon's ineptness or the strange world of dwarven sexual politics. As such, this will never be one of my favorite Discworld books. It has plenty of sarcastic and ironic lines, but it never completely comes together. In the final analysis, the Ankh-Morpork sub-plot never really adds much to the story, which makes the ending a bit of an anti-climax. But, it's still a Terry Pratchett book; it is still a display of humor and intelligence in a world which is often lacking in either. Go forth and read it!

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Friday, June 7, 2019

Get Free Ebook Lost Walls: Graffiti Road Trip through Tunisia

Get Free Ebook Lost Walls: Graffiti Road Trip through Tunisia

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Lost Walls: Graffiti Road Trip through Tunisia

Lost Walls: Graffiti Road Trip through Tunisia


Lost Walls: Graffiti Road Trip through Tunisia


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Lost Walls: Graffiti Road Trip through Tunisia

About the Author

eL Seed (born 1981) is a French-Tunisian street artist whose works incorporate traditional Arabic calligraphy, a style he calls 'calligraffiti.' His art was born on the streets of Paris, and now adorns walls across every continent. Incorporating elements of both the graffiti and Arabic calligraphic traditions, eL Seed is known for his unique style of calligraphy, which uses intricate composition to call not only on the words and their meaning, but also on their movement, to lure the viewer into a different state of mind.

Read more

Product details

Paperback: 120 pages

Publisher: From Here to Fame (June 1, 2014)

Language: English

ISBN-10: 3937946489

ISBN-13: 978-3937946481

Product Dimensions:

8.2 x 0.5 x 10.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,031,436 in Books (See Top 100 in Books)

El Seed is a passionate man giving hope through his art. Bravo!

Inspirational book by a great artist!

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Thursday, June 6, 2019

Free Download E! EntertainmentBy Kate Durbin

Free Download E! EntertainmentBy Kate Durbin

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E! EntertainmentBy Kate Durbin

E! EntertainmentBy Kate Durbin


E! EntertainmentBy Kate Durbin


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E! EntertainmentBy Kate Durbin

Fiction. Poetry. Women's Studies. Art. Kate Durbin's E! ENTERTAINMENT sparkles with the static of TV personalities, the privileged dramas of MTV's The Hills and Bravo's Real Housewives, the public tragedies of Amanda Knox and Anna Nicole Smith. Durbin traces the migratory patterns of the flightiest members of our televised demimonde, from the vacant bedrooms of the Playboy Mansion to the modern gothic set of Kim Kardashian's fairytale wedding, rendering a fabulous, fallen world in a language of diamond-studded lavishness.

"Smart and weirdly engaging."—Publisher's Weekly

"Powerful and sinister."—The Rumpus

"Chilling."—VICE

  • Sales Rank: #658608 in Books
  • Published on: 2014-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 4.50" w x .50" l, .0 pounds
  • Binding: Paperback
  • 205 pages

Review
"Even more surreal than what we get on TV, and also subversively funny." -XO Jane

"Durbin elevates petty O.C. arguments between Lauren Conrad and Heidi Montag to the status of serious literature." -Nylon

"Durbin breaks down reality television and transcribes it into a vivarium of microdetail. The scripted moments of the Real Housewives shows transform into something else entirely when beamed from televised drama into ecosystems of language, fashion, and class." --Bookish

"There is no one sporting hypermediaflesh like Kate Durbin’s. With E! Entertainment she strips the TV image from its old curves, reupholstering 2D-packed pixelshit into clipped components, sentences, where somehow less surrounded they take on the shape of psychically deformed wallpaper. These are our icon baths hobbling toward you, reciting script-prayer in mime of sleep, and now Durbin is their lord." --Blake Butler, author of Sky Saw

"Kate Durbin is the brilliant combination of Warhol and Warhollian superstar―both pop satirist and performance artist. Courtroom defiant La Lohan, the clownish pathos of Anna Nicole Smith: these are Durbin’s Jackie O’s and car crashes. E! Entertainment, is both rapturous and ravaging of pop culture, sending up the paparazzi’s glare, the vampiric obsession with the lives of reality starlets, endlessly reported on E! news by fakebaked anchors with colgate smiles." --Kate Zambreno, author of Heroines

"By recounting the actions of women from Lindsey Lohan to the Basketball Wives in matter-of-fact, objective language, Durbin actively does not make judgments about them―and in doing so calls attention to the types of criticisms regularly lauded at women in the public eye. Durbin’s book reassesses a culture that at once fixates on public images of women―voyeuristically watching their lives for entertainment―while simultaneously mocking, dismissing and condescending to them." --Bitch

"Durbin looks past the snobbish dismissal of reality tv to study Kim Kardashian's nuptials and Anna Nicole's trials and, secretly, all of our tribulations. Durbin's anti-satire demands to be read and read again, lest the paparazzi flashes blind you from seeing your own reflection." --Adult Magazine

"Conceptual writing has always been a kind of literary reality television, and reality television, in turn, has always been a sort of vernacular conceptualism. In E! Entertainment, Kate Durbin lets us linger over the lustrous details of the most authentically constructed works of our time, in all their inauthentic constructions. Here, we can plainly see "a microphone pack is viewable in the back of her dress"; "the back of her tank top pops out where her microphone pack is"; "a mic pack is viewable on the back of her shorts"; "a cameraman is viewable in the kitchen." And we ourselves are viewable in every line. Which brings home the degree to which we are all simultaneously exhibitionists and voyeurs under what Guy Debord would have called Spectacle. Or, maybe (as Tiqqun might ventriloquize Debord), we're all just girlfriends. Because "girlfriends tell each other what's really going on." But then again, as Wife Kyle notes, "her reality and my reality are two very different things." And ultimately, "we don't have any real proof" because our constructions now are false only so so long as they are actually documented: "Look! It‘s what I‘m hearing, huh. It‘s fake. Camera, camera [...] Watch this. She isn‘t real. Look." Look again. Watch this closely. Read this through. Somewhere, "My Reality" by Jordan Pruitt is playing. "And that‘s hard for me to believe, honestly. The reality, the reality, the reality of it, I am like honest girl beyond belief."



--Craig Dworkin, critic and author of No Medium

"I think it’s really cool that you write books about pop culture. I read your chapters on Lindsay Lohan & Anna Nicole Smith―love them both."--Josie Stevens, star of E! reality TV show Married to Rock

“Since it’s clear that ours is a Golden Age of TV it makes perfect sense that it might be a perfect moment for some Golden Age-type writing on reality television. Boom! That’s what you get in Durbin’s yummy delve into housewives, sexy sirens, lonesome doomed doves, and other boys and girls behaving badly but always with a sense of power."--Jerry Saltz, senior art critic, New York Magazine

“Kate Durbin is pop culture’s stenographer. E! Entertainment ingeniously peers inside the television static, revealing the many fictions that make up our reality, and the many realities which make up our fictions. It’s also a lot of fun to read. I love it.”--Heidi Montag, star of MTV’s reality show The Hills

About the Author
Kate Durbin is a Los Angeles-based artist and writer. She is the author of The Ravenous Audience, E! ENTERTAINMENT (Wonder, 2014), and co-author of Abra, forthcoming as an iPad app and artist's book with the help of a grant from Center for Book and Paper Arts at Columbia College Chicago. Kate is founder of online pop cultural criticism journal Gaga Stigmata, and her tumblr project, Women as Objects, archives the teen girl tumblr aesthetic.

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Monday, May 27, 2019

Ebook Textbook and Colour Atlas of the Temporomandibular Joint: Diseases, Disorders, SurgeryBy John Edgar De Burgh Norman, Peter Bramley

Ebook Textbook and Colour Atlas of the Temporomandibular Joint: Diseases, Disorders, SurgeryBy John Edgar De Burgh Norman, Peter Bramley

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Textbook and Colour Atlas of the Temporomandibular Joint: Diseases, Disorders, SurgeryBy John Edgar De Burgh Norman, Peter Bramley

Textbook and Colour Atlas of the Temporomandibular Joint: Diseases, Disorders, SurgeryBy John Edgar De Burgh Norman, Peter Bramley


Textbook and Colour Atlas of the Temporomandibular Joint: Diseases, Disorders, SurgeryBy John Edgar De Burgh Norman, Peter Bramley


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Textbook and Colour Atlas of the Temporomandibular Joint: Diseases, Disorders, SurgeryBy John Edgar De Burgh Norman, Peter Bramley

A colour atlas covering the subject of temporomandibular joint surgery, with contributions from prominent oral and maxillofacial surgeons from Japan, Australia and West Germany. A critical approach to the indications for the choice of operations is encouraged, along with step-by-step descriptions of procedures.

  • Sales Rank: #15102471 in Books
  • Published on: 1989-12
  • Original language: English
  • Binding: Hardcover
  • 260 pages

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Wednesday, May 15, 2019

Download The Hitler Salute: On the Meaning of a GestureBy Tilman Allert

Download The Hitler Salute: On the Meaning of a GestureBy Tilman Allert

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The Hitler Salute: On the Meaning of a GestureBy Tilman Allert

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The Hitler Salute: On the Meaning of a GestureBy Tilman Allert

A strikingly original investigation of the origins and dissemination of the world's most infamous greeting

Sometimes the smallest detail reveals the most about a culture. In Heil Hitler: The History of a Gesture, sociologist Tilman Allert uses the Nazi transformation of the most mundane human interaction—the greeting—to show how National Socialism brought about the submission and conformity of a whole society.

Made compulsory in 1933, the Hitler salute developed into a daily reflex in a matter of mere months, and quickly became the norm in schools, at work, among friends, and even at home. Adults denounced neighbors who refused to raise their arms, and children were given tiny Hitler dolls with movable right arms so they could practice the pernicious salute. The constantly reiterated declaration of loyalty at once controlled public transactions and fractured personal relationships. And always, the greeting sacralized Hitler, investing him and his regime with a divine aura.

The first examination of a phenomenon whose significance has long been underestimated, Heil Hitler offers new insight into how the Third Reich's rituals of consent paved the way for the wholesale erosion of social morality.

  • Amazon Sales Rank: #1445879 in eBooks
  • Published on: 2009-03-31
  • Released on: 2009-03-31
  • Format: Kindle eBook

From Publishers Weekly Starred Review. In this brief, insightful book, German sociologist Allert writes penetratingly about the gesture familiar around the world. Working like a preservationist on a minute canvas, he shows readers the cascade of meanings that rush through everyday greetings in general. But Allert's keen eye is trained on Germany, and he provides a wonderful depiction of regional, class and gender-specific greetings, from the kissed hand to the low, scraping bow. All of these were supplanted by the Hitler salute. Hitler was the suprahuman being in whom Germans invested their hopes, which they reaffirmed every time they raised their arms and shouted the Führer's name. As the salute penetrated every sphere of social life, it made Nazism omnipresent and Germans a unified community. It also affirmed authority for the ruler as well as over the ruled. Allert draws fruitfully on memoirs and letters. Readers encounter Germans who joyfully raised their arms to the Führer and also those who went to any length to avoid the gesture and sometimes paid dearly for their opposition to the Nazis. Allert's book shows how much can be gained from a close study of the daily rituals we barely think about yet are packed with meaning. (Apr. 1) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal Adult/High School—The raised stiff right arm and the accompanying "Heil Hitler" continues to be recognized as redolent of a time, place, and world-shaking series of events. It came into use so rapidly and with such legal imperative that even a picture dictionary published less than two years after the edict commanding this "German greeting" already showed it as a standard. Twelve years later, at the end of World War II, it fell even more quickly into disrespect. Allert explores the ambiguity of the spoken phrase, the viral nature of this particular greeting in a culture where regionalisms had always precluded any such uniform expression, and the nature and service of greetings of any sort as a human and cultural device. While this is not a simple text, the author makes excellent use of photos and reproductions, and explains technical language related to sociology with efficiency, making this book accessible to teens interested in Nazi Germany, contemporary gang signs, and aspects of human psychology. It is also likely to be useful to teachers looking for new ways to relate history to their students' lives.—Francisca Goldsmith, Halifax Public Libraries, Nova Scotia Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Compact, lucid . . . straightforward in its analysis yet profound in its conclusions, this uncommon selection sheds elusive light on the question of how Nazi ideology managed to penetrate even the most ordinary social interactions.” ―Booklist

“Concise, elegant . . . This little book, with its analytic punch and range of fresh insights, offers a novel contribution to what frequently appears to be an old, tired discussion of the Third Reich.” ―Bookforum

“Brilliant, an exmplary study, a true jewel . . . One can only wonder why it took so long for a book about such an important gesture to see the light of day.” ―Frankfurter Allgemeine Zeitung

“Achieves an indelible suggestiveness.” ―The Boston Globe

“A short and intensely interesting book . . . which leaves a reader freshly impressed by the peculiar forms of evil the Nazis invented.” ―National Post (Canada)

“Expertly translated . . . [A] thoroughly fascinating little book.” ―The New York Sun

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